

Last year, Jim Jarmusch’s The Dead Don’t Die tried to tell a story about small town cops vs. By setting this in the real world, and populating the story with characters who are not so much heightened as they are odd, most scenes interlace fast comedy with compelling drama pretty evenly, while being sure to humanize every last one of them. Instead all of the humor and drama come from the same place - the characters. The dialogue is filled with extremely dry, rapid fire exchanges, dripping sometimes with passive aggression, and other times with full-on aggression, but none of it is played with a wink or nod. The film itself wears a pretty straight face, which is key to the way it balances humor, drama, and horror. The last thing John needs is for mangled corpses to be piling up night after night, but alas, he’s got to deal with that too. He’s a recovering alcoholic, his ex-wife and teenaged daughter are growing less and less fond of him by the day, and his father (Robert Forster, RIP), who is also the sheriff, is falling into ill health. Their leader, John Marshall (Jim Cummings) has his hands full. The Wolf of Snow Hollow is different, however, in that it doesn’t follow the afflicted lycanthrope, but rather the group of small town policemen and women who are tasked with bringing the creature down. Robbing a typically innocent character of their autonomy and turning them into a violent creature of the night is a pretty cruel fate to dish out to anyone, and when it happens to the audience surrogate, a few jokes can really help the film not be so punishing. Perhaps it’s the body horror element that requires some levity to recover from as a viewer. In fact, it feels like a lot of the best werewolf tales– An American Werewolf in London, The Howling, Teen Wolf–are very funny.
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He wouldn’t be the first to imbue a werewolf movie with humor.

His latest, The Wolf of Snow Hollow, takes the same flavors and applies them to horror and, more specifically, to the werewolf subgenre. The film is a perfect watch for Halloween as well as a thought-provoking movie as well.Anyone who has seen Jim Cummings’ previous film, Thunder Road, knows the type of indescribably dry humor, laced with compelling drama, that the writer/director likes to employ. Even though the film is a comedy, horror, werewolf movie, but the film tries to interrogate about mankind and their actions as well. The ending of the movie definitely makes the viewers connect the myth of the werewolf to the horrific violence against women. Roger Ebert portal states that the movie is definitely a complete werewolf movie, but it also depicts toxic masculinity. The movie is premiered at select theatres worldwide and on the OTT platforms where one can buy or rent the film.ĪLSO READ| China Marks 110th Birth Anniversary Of Dr Dwarkanath Kotnis All About The Indian Doctor 'The Wolf of Snow Hollow' theme The film trailer starts with a new song arranged by Ben Lovett, titled Little Red Riding Hood, sung by Valen. The Wolf of Snow Hollow has a brilliant ensemble cast of actors including Riki Lindhome (from Knives Out and Under the Silver Lake), Jimmy Tatro (from American Vandal and The King of Staten Island) and Chloe East (from Kevin (Probably) Saves the World and Next Level). He struggles to remind himself that the concept of the werewolf is nothing but a myth meanwhile facing situations that tells him to believe otherwise.
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The movie is about a small-town sheriff who struggles with a failed marriage, a rebel daughter, and a dull work environment while he is tasked to solve brutal murders at his town during full moon nights. The film is directed by Jim Cummings himself and would feature Forster in his final on-screen role.

The movie stars Jim Cummings, Robert Forster, Riki Lindhome, Chloe East, Jimmy Tatro and others in pivotal roles. The Wolf of Snow Hollow is an American comedy movie that released on October 9th.
